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Synopsis
Act I Paris
Violetta, a courtesan of renown desire, is hosting a lavish party with the upper-class gentlemen of Paris and her fellow courtesans, all funded by her admiring patron, Baron Douphol. Amidst the champagne, she is introduced to a middle-class gentleman, Alfredo Germont, who has been in love with her for over a year – since, we learn, her illness began. Alfredo is pressured to make a toast in which Violetta joins him, urging everyone to enjoy the fleeting pleasures of life. As the guests retire to other rooms, Violetta suddenly grows ill. While left alone with Violetta, Alfredo protests his love, which she discourages at first, but then accepts in a sudden reversal. As dawn breaks, the gentlemen must all go home, and Violetta is left alone to contemplate the idea of having a true love for herself. Instead, she resolves to plunge herself headlong into the vortex of hollow pleasures that make up her existence.
Interval of 25 minutes
Act II
Scene 1 A house in the country, three months later
Violetta and Alfredo are now living together in the idyllic countryside. When Alfredo learns from her servant Annina that Violetta has sold her possessions to support the life they lead, he returns to the city to raise the necessary funds. In his absence, Violetta receives an unexpected visit from Alfredo’s father. He begs her to end their relationship, otherwise his daughter’s marriage into a respectable family will be threatened. After a relentless breakdown of her character, Violetta agrees to sacrifice her love – despite it breaking her will to live. Germont leaves and Violetta writes a farewell note to Alfredo: she will return to the city and Douphol’s patronage. Alfredo returns, and Violetta arranges for him to be given the note after she has gone. When he reads it, he refuses the consolation of his father, who has been watching from nearby, and rushes back to the city to avenge himself.
Scene 2 Paris, that same night
A party is in progress, enlivened by a masque of gypsies and bullfighters. Alfredo appears alone and witnesses Violetta on the arm of Douphol. The two men play an aggressive round of cards which Alfredo wins. When she has an opportunity, Violetta speaks to Alfredo alone and begs him to leave and avoid a deadly fight with Douphol; pressed by Alfredo, she maintains her promise to Alfredo’s father and tells Alfredo that she loves Douphol. In a fury, Alfredo summons the guests to witness the repayment of his debts as he flings his winnings at her. Germont enters in time to witness his son’s outburst and shames him. Alfredo must leave the party – and Violetta.
Interval of 20 minutes
Act III Violetta’s bedroom, a few months later
The doctor tells Annina that her mistress will soon die. Violetta instructs Annina to give what little money they have left to the poor, and re-reads a letter from Germont telling her that Alfredo now knows of her sacrifice and is returning to beg her forgiveness. She believes it is now too late for a reunion with Alfredo. She bids farewell to all her hopes and prays to be released from this suffering. The sounds of a carnival in the street summon false hopes of Alfredo’s return. Then, to her astonishment, Alfredo returns to hold his beloved. Germont arrives to give his blessing, full of remorse at the pain he has caused. But it is too late.
Credits
CONDUCTOR Paolo Arrivabeni
DIRECTOR Sofia Coppola
CHORUS MASTER Roberto Gabbiani
SET DESIGNER Nathan Crowley
ASSISTANT SET DESIGNER / COLLABORATOR Leila Fteita
COSTUME DESIGNER Valentino Garavani
Maria Grazia Chiuri, Pierpaolo Piccioli
CHOREOGRAPHER Stephane Phavorin
LIGHTING DESIGNER Vinicio Cheli
VIDEO edited by Officine K
ASSISTANT DIRECTOR / COLLABORATOR Marina Bianchi

CAST
VIOLETTA VALERY Zuzana Markova / Albina Shagimuratova / Claudia Pavone
ALFREDO GERMONT Sergey Romanovsky / Iván Ayón Rivas / Alessandro Scotto Di Luzio
GIORGIO GERMONT Marco Caria / Simone Del Savio

Teatro dell’Opera di Roma Orchestra, Chorus and Corps de Ballet
A Teatro dell’Opera di Roma production

Created by Valentino Garavani and Giancarlo Giammetti
Thanks to Fondazione Valentino Garavani and Giancarlo Giammetti and Valentino S.P.A.

sung in italian with italian and english surtitles

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  • Seating Chart
  • Synopsis

    Act I Paris

    Violetta, a courtesan of renown desire, is hosting a lavish party with the upper-class gentlemen of Paris and her fellow courtesans, all funded by her admiring patron, Baron Douphol. Amidst the champagne, she is introduced to a middle-class gentleman, Alfredo Germont, who has been in love with her for over a year – since, we learn, her illness began. Alfredo is pressured to make a toast in which Violetta joins him, urging everyone to enjoy the fleeting pleasures of life. As the guests retire to other rooms, Violetta suddenly grows ill. While left alone with Violetta, Alfredo protests his love, which she discourages at first, but then accepts in a sudden reversal. As dawn breaks, the gentlemen must all go home, and Violetta is left alone to contemplate the idea of having a true love for herself. Instead, she resolves to plunge herself headlong into the vortex of hollow pleasures that make up her existence.

    Interval of 25 minutes

    Act II

    Scene 1 A house in the country, three months later

    Violetta and Alfredo are now living together in the idyllic countryside. When Alfredo learns from her servant Annina that Violetta has sold her possessions to support the life they lead, he returns to the city to raise the necessary funds. In his absence, Violetta receives an unexpected visit from Alfredo’s father. He begs her to end their relationship, otherwise his daughter’s marriage into a respectable family will be threatened. After a relentless breakdown of her character, Violetta agrees to sacrifice her love – despite it breaking her will to live. Germont leaves and Violetta writes a farewell note to Alfredo: she will return to the city and Douphol’s patronage. Alfredo returns, and Violetta arranges for him to be given the note after she has gone. When he reads it, he refuses the consolation of his father, who has been watching from nearby, and rushes back to the city to avenge himself.

    Scene 2 Paris, that same night

    A party is in progress, enlivened by a masque of gypsies and bullfighters. Alfredo appears alone and witnesses Violetta on the arm of Douphol. The two men play an aggressive round of cards which Alfredo wins. When she has an opportunity, Violetta speaks to Alfredo alone and begs him to leave and avoid a deadly fight with Douphol; pressed by Alfredo, she maintains her promise to Alfredo’s father and tells Alfredo that she loves Douphol. In a fury, Alfredo summons the guests to witness the repayment of his debts as he flings his winnings at her. Germont enters in time to witness his son’s outburst and shames him. Alfredo must leave the party – and Violetta.

    Interval of 20 minutes

    Act III Violetta’s bedroom, a few months later

    The doctor tells Annina that her mistress will soon die. Violetta instructs Annina to give what little money they have left to the poor, and re-reads a letter from Germont telling her that Alfredo now knows of her sacrifice and is returning to beg her forgiveness. She believes it is now too late for a reunion with Alfredo. She bids farewell to all her hopes and prays to be released from this suffering. The sounds of a carnival in the street summon false hopes of Alfredo’s return. Then, to her astonishment, Alfredo returns to hold his beloved. Germont arrives to give his blessing, full of remorse at the pain he has caused. But it is too late.

  • Credits

    CONDUCTOR Paolo Arrivabeni
    DIRECTOR Sofia Coppola

    CHORUS MASTER Roberto Gabbiani
    SET DESIGNER Nathan Crowley
    ASSISTANT SET DESIGNER / COLLABORATOR Leila Fteita
    COSTUME DESIGNER Valentino Garavani
    Maria Grazia Chiuri, Pierpaolo Piccioli
    CHOREOGRAPHER Stephane Phavorin
    LIGHTING DESIGNER Vinicio Cheli
    VIDEO edited by Officine K
    ASSISTANT DIRECTOR / COLLABORATOR Marina Bianchi

    CAST
    VIOLETTA VALERY Zuzana Markova / Albina Shagimuratova / Claudia Pavone
    ALFREDO GERMONT Sergey Romanovsky / Iván Ayón Rivas / Alessandro Scotto Di Luzio
    GIORGIO GERMONT Marco Caria / Simone Del Savio

    Teatro dell’Opera di Roma Orchestra, Chorus and Corps de Ballet
    A Teatro dell’Opera di Roma production

    Created by Valentino Garavani and Giancarlo Giammetti
    Thanks to Fondazione Valentino Garavani and Giancarlo Giammetti and Valentino S.P.A.

    sung in italian with italian and english surtitles

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